The Milking Machine series 2

From the time I added the post “The Milking Machine series” it has never failed to be the most popular post on the blog. Month after month, no matter whatever other new post comes on, that post simply commands the most views.

Well, in the spirit of “if it’s popular I must be doing something right – even if it is all rather blatant”, I planned out a new series of four especially for my regular appearance in the Japanese magazine “Goddess Love ” (女神の愛）

The milking machines are as nasty as before-maybe a little more sophisticated. The lady wardens are just as cruel and sadistic.

As ever four renowned mistresses were invited to model :-

Mistress Courtney

Mistress Ria Harpsichord

Mistress Lola Ruin

Madame Ingrid

If you live in Japan you can buy the present issue -No 16 – from Amazon.
Regrettably the magazine cannot be bought overseas.
https://www.amazon.co.jp/別冊秘性-女神の愛-第16号-SANWA-MOOK/dp/4776919303/

Portrait of Mistress Eva

The pose for this portrait of Hong Kong and Singapore based Mistress Eva is based on a Chinese Buddhist statue of Guanyin, representing divine compassion.

On a throne supported by loyal slaves and edged by protective slaves to the side, she plays with the hair of her loyal slave-girl who offers her refreshment from a tray.
From a primordial darkness two ghostly admirers float up to adore her feet, while more obscure forms begin to drift upwards attracted by her.
Others float towards her from above warmed by the bright radiance of her aura.

A portrait with this surreal setting gives her the mythic quality she embodies to her slaves and is something a photograph could never capture.

Portrait of Mistress V

A simple portrait.
In a classic pose Mistress V clasps a whip in her gloved hands and gazes seriously towards us, a letter “V” pendant from her neck.
The pen and ink line is picked out in her favourite purple tone.

A posthumous portrait 2

 

For this artwork I left it to the commissioner to best describe…

“A posthumous portrait of Australian lifestyle Mistress, Lady Veronica, with her beloved princess.
No greater love had either shared before, their commitment and devotion to each other cemented and witnessed in a ceremony amongst friends, their lifestyle lived amongst friends the world over.
Lady Veronica’s love was often delivered with her whip or cane, guiding her princess to become a better servant, a better girl. Her discipline always represented a deep love for her girl, and was always delivered with a purpose, every lash of her whip carrying a lesson, every stroke of her cane delivering guidance.
Through the looking glass is the Queen’s summer residence, Sandringham, through the grounds of which Lady Veronica and her princess walked and kissed and shared their dream of retiring to an English country cottage, to indulge in their chosen lifestyle amongst friends.
Lady Veronica shall remain in our hearts, “A Glorious and Superior Lady”

A posthumous portrait 1