Lady Salome, a mistress from Germany, wished for a fantasy-based theme and taking her name as a starting-off point we thought of a head on a silver platter, though that seemed a little gruesome. A skull with tongue licking her feet seemed a better idea. She wears a rather fetishy medieval dress and carries a sword (perhaps of justice?) Behind her a traditional German castle and a small reference to the other Biblical Salome of a crucifix on the railings. In addition to the classic watercolour treatment a very thin layer of red ink was added to the hair and tongue of the skull.
The throne is a recurring motif in much of my art.
One of the first line drawings I made as Sardax was this goddess on a throne. This was actually sold as a limited run of postcards at the Skin Two shop back in the early nineties – if you bought one then you’re lucky ! Throughout the years the depiction of the mistress in her throne has been a useful way of displaying her regality and authority, raised up above her slaves , looking down . In this selection of portraits there are different types-some elaborate, some simple:-
Mistress Akella with the ermine
Laylah from Snake portraits
This portrait, commissioned by one of Queen Euny’s many slaves, shows her with a muscular boy toy in a lakeside setting in Korea, where there is now a growing femdom community.
Queen Euny is the first Korean mistress I have ever drawn – hopefully not the only one.
Queen Euny’s blog (in Korean)
Cubicle 10 is one of a series of booths in a facility specifically designed solely for female pleasure – a reversed glory-hole – where the female client would be separated from the men (or ladies) assigned to them. A supervisor could check on all activity by closed-circuit TV monitors and provide assistance and direction through glass screens.
If such a facility exists in the world Mistress Elita would like to know more -if not we wait for a more enlightened age to introduce it!
See Mistress Elita’s personal website
For this commission London and Bristol based Miss Harpsichord chose the theme of “forced-bi” ,where she controls one man who is being forced to service another-for her pleasure rather than his. I have rarely produced something of this nature, but the subject intrigued me given the piquancy of the subject, as though she is physically the smallest she controls both men equally, regardless of their size.
In this fantasy commissioned by the redoubtable Mrs Weltsova we see her represented as a sultana in the courtyard of an oriental palace with lamps casting golden light onto a turquoise pool surrounded by marble arches and exotic foliage.
She is disciplining a slave from her harem – a hermaphrodite – beautifully wrapped in silks and satins, locked into position on the top of her cage. The sultana’s dusky accomplice chooses a whip and relishes the chance to impose a severe lashing on the slave’s tender flesh.
Mrs Weltsova herself is finely dressed as a ruthless sultana in deep saffron robe and simple but elegant head-dress.
But there are onlookers – a pampered cheetah gazes on from its own bed, and who is that in a beret sitting at the easel? Is it Sardax himself painting the scene?
Visit Mrs Weltsova’s own site to learn more about this extraordinary mistress.