Mistress Tess in Furs 2

Mistress Tess here exercises her control over her fur coat stand (the commissioner of the portrait) by means of an electric device which communicates with his chastity cage. Of course such a shock could well threaten to topple the heels balancing neatly on the silver trays hanging from his shoulders.
As in the previous commission , Mistress Tess is dressed in furs and, of course, her favoured Louboutin heels.

Please see commissions page for information on ordering a portrait. 

Portrait of Mistress Ayn

ms_ayn

This commission was originally conceived as a watercolour in the “classic” monochrome look but the subject suggested a bluish tone as if the scene is lit by moonlight.

It is evening.
Mistress Ayn from Atlanta, Georgia  looks out at us, wearing a glamorous tight-fitting dress, as she leads her slave upstairs an old mansion.
The light of the moon floods into the vestibule below.
The night’s pleasures await.

Mistress Ayn’s site

Portrait of “Mistress V”

mistress_v

This commission from a lifestyle couple draws its inspiration from Gothic romance, with its emphasis on horror and the darker aspects of the human imagination. “Mistress V” is a voracious reader of this genre and so she is here depicted as a Byronic heroine playing with a particularly cruel adaptation from the French Revolution.

Her submissive partner who commissioned this writes…

“Mistress V” is the subject of my adoration in a purely private capacity. Some years ago I fell at Her feet to persuade Her to fulfil fantasies by dispensing Her dominatrix gifts. Thankfully She conceded this to me and now this work worships Her in renewed vigour. Sardax has beautifully captured Mistress’ winning and knowing smile in a startling way, at once innocent yet dark in its depths. By converting my vague idea on Her gothic passion into a work of such beauty, you can almost overlook the terror awaiting the bound body as the eye moves across the scene to the wilderness beyond the window …”

Portrait of Mistress Paris

ms_paris_mid

A visit to the chambers of Bedfordshire -based Mistress Paris provided the spark for the theme of this portrait. She told me of her love for the painting and sculpture of Michelangelo and so I developed her portrait from that.

Her chambers are called “The Oubliette” – a word used in castle architecture to denote a secret dungeon with an opening only at the top. So I showed a hand reaching up from this oubliette and Mistress Paris’s right hand reaching down to touch it, like God’s finger touching Adam in the Creation scene of the Sistine Chapel.
Her left hand holds a flayed skin as the artist depicted himself in the Last Judgement. Above hover two angels. The benevolent Angel of the Ecstasy holds a lamp to guide the reaching hand from the oubliette, while the Angel of the Agony smiles down malevolently with whip in hand.

Together they remind us of the “The Agony and the Ecstasy”, the biographical novel written 1961 by American author Irving Stone, and subsequently made into a film.

It is also the website address of Mistress Paris 

Portrait of the Alchemical Seductress

shahrazad_mid

Headmistress Shahrazad of the Ritual Chamber in Toronto requested a commission inspired by “The Magician” , a Tarot card of the Major Arcana.

magician_tarot

I tried to keep the same pose, as closely as possible, but it had to be adapted to show her dominance and relationship to her slaves so instead of a plain wooden board in front, a naked male forms a human table carrying chalice, collar and whips.
So the traditional roses and lilies were taken from below and run along the sides.
In the background a night-time Toronto skyline in storm, and lightning conducted through her purple “rod” through her body to her left hand.

 

Portrait of Madame Ingrid

madame_ingrid

The subject matter of this portrait of Madame Ingrid is dear to her heart – the western prairie, and in this scene she sits in a wooden shed in her traditional skirt and blouse offering her bare foot to a devoted admirer.

Here is a testimonial from her submissive who commissioned the artwork.

This is the second portrait I have commissioned for Madame Ingrid from Sardax.  Once again he has delivered a fantastic work.  Not only did he really wonderfully portray Madame Ingrid, he managed to capture much of the essence of our relationship.  I’ll never forget Madame Ingrid’s note to me as we looked at the final mock-up, “It’s so us!” 
This has already started us thinking about the next work. And next time, I too will make an appearance so She can always have me kneeling before Her. But that is for another day.
I also want to share a bit on the logistics.  Sardax makes this process really easy.  He listens to ideas, asks for pictures as a guide, and consults with you during the process.  
I can only encourage all admirers to really consider commissioning a work for your Mistress. It’s a great birthday or holiday gift. It’s easy to send gift cards and other tokens, but I don’t think anything expresses one’s devotion like a Sardax portrait.

Madame Ingrid’s Adoring Slave

Ken

Portrait of Mistress T. as Circe

mistress_t_mid

For this second portrait of Mistress T –see previous here– I was requested by the lady herself to give free rein to my imagination, which I of course enjoy. Though it is not quite as free as it sounds, as the subject matter still needs to please her, and so it can’t go totally out to the furthest reaches of my imagination.

I came up with the idea of a “Circe”, an enchantress who would transform her slaves into beasts with a tap of her luminescent cane.
It is night and the setting is a Mediterranean island.
To her feet one slave is half way to becoming a dog, worshipping and licking her long thigh-boots.
In a huge glass case, her “bull” slave – strong and well endowed – kneels obediently awaiting her needs. To the left the remnants of past slaves, hanging from branches or encased in glass jars.

Maybe one day she might release them, maybe not…Odysseus is far away.