Portrait of Lady N

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“The picture  is about a femdom couple from Berlin. “Lady N” lives in a villa within a huge park with a tall wall around and enjoys life. Slave “a” has the luck to live in her garden her as her creature in intimacy and never-ending prison.

Lady N loves to see the effects of her hard education. She loves to tease and torture his body and brain with her beauty and her dark soul. This night she has brought small supporters to tie him even harder and to torture him with biting poisonous love. So close and yet far. See how he adores his Lady, how eternal love can be. 

She is free and reigns over their life. The sky sends its divine rays of light. And her lover is approaching from the back of Lady N ́s Garden of Lust for a next step of training and love.”

Written by the commissioner of the painting.

Portrait of Mistress Tyler

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In this dark Gothic setting the emphasis is on chastity and the passing of time.
The commissioner of this painting of Mistress Tyler is often separated from his mistress for a long period. In her left hand she holds an hourglass to denote the time passing. Strapped down to a wooden framework he gazes up lovingly at her as she teases his nipples with cords and her heel digs into his chastity cage .
How long will the torment last? Will he face the same fate as the poor remains in the background, perhaps?

Portrait of Mistress Mera

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An Ancient Egyptian fantasy for Manchester Mistress Mera.
Why such an unusual theme?  Manchester is a far away by distance and culture but Mistress Mera’s name and looks can easily seduce you into this exotic fantasy…

Seen here as powerful and ruthless Queen of the Nile, she stands at the water’s edge where her slaves sit ready to transport her down the river in her personal galley.
One of her personal slaves (who commissioned the painting) deferentially adjusts one of her shoes. Her dress is based on an Ancient Egyptian kalasiris though with some fantasy latex added and it is certain that at some point in the voyage she will be using that vicious black whip!

Mistress Mera

 

Portrait of Lady Saintlawrence

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An exotic garden in South Asia.
The slave is fixed to an elaborate metal frame above an ornamental pool, awaiting the cruel whip of Lady Saintlawrence.
She looks round towards us as she prepares to apply the first stroke to his clear taut flesh. To the side other slaves await their turn and shiver in fear, though simultaneously yearn for her brutal efficiency.

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Though Lady Saintlawrence can be cruel and merciless towards her slaves, I discovered her to be a very warm and engaging personality on meeting her in London for one of my personal sketches (above).
She is the founder of AMYSTIQUE INTERNATIONAL, the society promoting femdom throughout South Asia and though based in Amsterdam has an international travelling lifestyle.

Portrait of Domina Emilia

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I was specifically requested by London-based Domina Emilia  to follow my own intuition in creating this artwork without any directions from her.
After some days musing on the subject I came up with the idea of a huntress with bow and arrow filled quiver, inspecting her manorial grounds with its mournful willows, and accompanied by her black courser.
Here she has snared her prey with a net – in this case the commissioner – and will surely enslave him with that collar that she offers to you.

Would you like to be captured too?

Portrait of Mistress Eclipse

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In this portrait Manchester-based Mistress Eclipse is depicted as a pony-boy trainer.
Her “horse”, in tight constricting rubber, is being taught to strut with high steps. Like a donkey with a carrot in front, he has a high-heel dangled in front of him – which of course he can never reach it.
But Mistress Eclipse’s training is ruthless, and she cracks her whip for any slight transgression.
It will be a long day in the fields!

Portrait of Goddess Stella Sol

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San Francisco based Goddess Stella Sol is here depicted as a puppet-mistress in dark lustrous latex with long thigh length boots. She sits on the proscenium arch of the little theatre, where her toy, a whiney ‘capitalist’ in chastity, performs to the strings she manipulates.
He brings her his treasure and offers her wads of banknotes but she merely smiles at his pathetic attempts to impress her.
On the seat is inscribed the “Aum” symbol which is special to this Goddess.