A simple but powerful portrait of this Mistress from New York state.
The original idea was for a depiction based on a Tarot card, but that gradually developed into a more conventional portrait. She gazes out at us proudly while her legs are worshipped by two slaves in heavy black leather. Behind her a patterned circle of adoring slaves frame her beautiful features.
For this commission Mistress Scarlett Lush told me that she was the kind of person who would be “burnt as a witch” in previous centuries. This provided the inspiration for the portrait, by imagining her as the one doing the burning, with a victim hanging in a cage.
She wears a vaguely medieval dress with boots and gauntlets and carries a halberd and whip to tease and torment.
Beside her a rather malevolent cat (her familiar) watches us with fiery eyes.
Mistress Scarlett says,
“Getting a portrait from Sardax was such a marker in my career. Ever since I started I dreamed of having a custom Sardax piece. He is such a staple in the femdom community and being able to join the Sardax club makes me so elated!”
Young Goddess Kim inspects her recumbent slaves who are embedded to their heads in a dark dungeon beneath her living quarters. They cannot see her, only detect her scent, smell her smoke and hear the clicking of her heels . As she is wearing the tightest figure-hugging dress it is perhaps only best they are blindfolded as they are caged in chastity. She makes sure that the sole of her shoe will touch the cages as she pushes the tip of her shoe into their mouths.
“This is a special gift to my beloved mistress, LaDomme. We are longtime fans of your work and proud of being your first customers from Brazil. This portrait marks not only the fourth anniversary of our lifestyle D/s relationship, but also a new phase for us, where much of our plans will come to fruition. Our bond grows stronger, my mistress. Serving you is a lifetime achievement for me. Thank you. Petix.”
This double portrait was commissioned as a memorial to Mistress Michelle Lacy’s partner and personal slave who passed away last year. It was funded by a group of her most loyal submissives who came together for this special gift. I felt honoured to have been asked and some time went into preparing and completing it. They met in a domination studio in New York and so the setting shows high-rise office buildings and skyscrapers through the window. He kneels at her feet in worship as she enfolds him with her boot and whip and offers her gloved hand for him to kiss. The bench which she sits on is locked .Who knows what it contains? Now it holds secrets of their time together that only she knows.
Paris-based Mistress Inanna Justice, originally from the United States, commissioned this unusual double portrait as an expression of her friendship with Parisian dominatrice Madame Lule. They pose together on an outsized seat beneath which kneel a couple of diminutive slaves who make desperate efforts to kiss their heels. Insouciant of their suffering they gaze out of the picture at us, back to back and joined together in their love for female domination.
Maîtresse Blanche is a specialist in medical scenes in her well-equipped studio in France. She is depicted here in nurses costume with syringe in hand, ready to administer a treatment to the victim bound tightly into a bizarre arrangement of tubes. To the right another of Maîtresse Blanche’s specialities-a jar of leeches and to the left, the next patient awaits his turn!
This is an unusual but quite welcome portrait commission from a female submissive.
Bella and Mistress Scarlet are a lifestyle and professional couple from Scotland . Bella asked me to create a surprise portrait for her mistress which would show her devotion . Mistress Scarlet is shown smiling down at her submissive and presenting a pink collar to her, while she looks up in adoration, naked except for a rather kinky toy teddy. Behind her are some toys that might be used later and on the wall are some loose renderings of special photos that Bella asked to include.
For her third portrait Mistress Nikki Whiplash requested to be depicted tormenting the commissioner of the portrait with her long black boots , prodding with an electric device and pulling his nipples with fine black cords. A pipe leads to his backside as he hangs upside-down before her (apparently he feels quite comfortable in this position). He is supported by taut leather straps and a particularly vicious cable around his member. Ms Whiplash informed me I was being generous in depicting his size but he just smiled smugly.
The hourglass is placed before him so he has a reminder of how much time has elapsed in his torment. Mistress Whiplash fills the waiting time with a cup of tea!
The scene takes place in the sunken prison compound at the premises of Mistress Whiplash.
Ten or more years ago, even before this blog started, I received a commission to paint the renowned and now retired Czech Mistress Valkyrie.
The portrait was a success, happily received and no more was heard.
Her loyal slave sova takes up the story…
On sight of the completed painting it can truthfully be said that Mistress Valkyrie was delighted by the representation of winter at Castle Valkyrie, her private estate in the Moravian countryside, and of the slave devoted to Her.
The drawing made its way to Prague, to Mistress’s city apartment, where it joined other of Her most treasured possessions.
For reasons that need not trouble us today, Mistress finding herself able to spend less time than she might like in the city of Her childhood, enlisted her mother as a de facto caretaker. Mistress’s mother, devout in her faith, had always been troubled by her only daughter’s lifestyle. So it was that one daycaretaking turned into a desire to erase the evidence of things inappropriate to the precious little girl that she had raised. The precious drawing was lost…
Whilst Mistress Valkyrie’s devotion to her mother was sorely tried, time passed quickly with forgiveness even if it didn’t diminish the sense of loss.
Eventually the idea of recreating the drawing took hold. Sova remains Her devoted possession and was happy to recommission the work: his only direction being that the original should be recreated just as his Mistress remembered.
And he tells me that Mistress Valkyrie is delighted with the outcome – more so than her slave’s words can express.
The original painting of Mistress Valkyrie (now lost)